Skip to main content

Allman Brothers Band history: Summer 2000 -- Derek and Jimmy

After a spring tour in 2000 -- I caught the second to last show in Memphis on 5/6/2000 -- mounting personality conflicts with Dickey Betts caused the Allman Brothers Band to send Dickey an infamous fax asking him to sit out their upcoming summer tour. The rationale was for him to address personal issues that the founding members perceived as detrimental to the organization. Betts responded to the news somewhat, ah, poorly, and would never play another show with the Allman Brothers for the remainder of the band's career.

With a full summer tour about to kick off in a month they placed a call to Jimmy Herring to sub for Dickey. Jimmy was obviously a known quantity, having been in ARU with Oteil and Frogwings with Derek and Butch. 

I'm guessing there wasn't a lot of time for rehearsal but to their credit, the band put together a fun three hour show primarily focused on songs from the first two albums along with the Dickey instrumentals. All Dickey vocal songs were dropped from the setlists. Oteil would sing "Franklin's Tower" every night and a 40 minute Mountain Jam with drum and bass interludes helped pad the running time.

Ultimately, it's the Jimmy/Derek interplay that carries the day and honestly, many songs here are just a vehicle for their superhuman musical connection. 

Amazingly, when Jimmy was floated as a replacement for George McConnell two years later, the WSP fanbase -- poisoned by an alt right-esque delusion about GMAC's prowess -- would deride Jimmy as being "too jazzy." As his stint with the Allman Brothers showed, Jimmy Herring can play blues and improvisational southern rock as well as anyone on the planet.

After a three-month stint with the Brothers, Jimmy would move on to his next adventure by once again entering the realm of Phil Lesh. Apparently Herring was not comfortable with replacing Dickey Betts and there's also the possibility that an Allman Brothers Band with only one true lead singer was not a viable prospect. They'd return with "special guest" Warren Haynes in March 2001.

So here's one I actually saw, August 4, 2000 from Jones Beach in New York. Two weeks before I turned 27! (Now I'm 43). This is an audience recording but the guitars are loud and clear.

1. Trouble No More
2. Black Hearted Woman
3. Jessica
4. Loan Me A Dime
5. Done Somebody Wrong
6. Melissa
7. Franklin's Tower
8. Feel So Bad
9. Don't Keep Me Wonderin'
10. Dreams
11. High Falls
12. Statesboro Blues
13. Mountain Jam
14. Revival
Encore:
15. You Don't Love Me
w/Jorma Kaukonen, guitar, Jack Casady, bass, Pete Sears, keyboards, Oteil, drums
16. Whipping Post
Jimmy Herring subbed for Dickey
Hot Tuna opened

Comments

Popular posts from this blog

Allman Brothers Band history: 1971 -- The final months of Duane Allman

One of the most tragic parts of the Duane Allman story is that he only got to enjoy a brief period of the Allman Brothers Band's massive success. The first two albums, 1969's self-titled debut and 1970's Idlewild South barely sold. They were on the road in a Winnebago non-stop (260 gigs between 1970 and 1971) but were still being kept afloat financially by Phil Walden and Capricorn Records. Band members made around $150/week. Not too bad for 1970 but hardly rock star riches.

Other than Walden, the band's other great benefactor was Bill Graham. They would end 1969 with several dates at the Fillmore East opening for Blood, Sweat And Tears, head out to San Francisco in January to open for BB King at Fillmore West and then be back in New York in February 1970 to open for the Grateful Dead. September and December would see more Fillmore East shows.

In March 1971, the monumental At Fillmore East album was recorded over three nights. A lesser known fact is that a horn section w…

Allman Brothers Band history: 1998 -- The Year Of Jack Pearson

After sitting out most of the 80s, the Allman Brothers Band reunited for the third time in 1989. They were a little tentative at first. There was no new album right away. New keyboard player Johnny Neel was an awkward fit for the band. The initial shows were essentially nostalgia nights. 

But by the summer of 1991, undeniable progress had been made. They now had two albums of new material, 1990's Seven Turns and 1991's Shades Of Two Worlds. Neel was out and in his place was a percussion player named Marc Quinones. The band was finally back in the two guitars/one keyboard configuration they started with in 1969. Newcomers Warren Haynes and Allen Woody gave the band of boost of energy -- they would not be the faceless for-hire musicians that had filled out the 79-82 lineup. 

The Allmans had escaped the classic rock nostalgia circuit and were getting their due as progenitors of the new "jamband" scene. They appeared on the H.O.R.D.E tour in both 1993 and 1994 and had the …

Allman Brothers Band history: 1980 -- from gee-tar to key-tar

Can you imagine seeing this at an Allman Brothers show? Welcome to 1980.

The ABB reunion in 1979 had gotten off to a decent start with a new ABB 3.0 lineup and a respectable comeback effort entitled Enlightened Rogues. This would also be their final album for Capricorn Records. Strongly believing that the label had not been paying them proper royalties for years, Dickey took Capricorn to court -- and won. The judgement resulted in the label declaring bankruptcy. The band would never see the money they were awarded and more importantly, they lost the support of people that had always given them complete creative control.

They signed with Clive Davis and Arista Records, also the home of the Grateful Dead. Davis had managed to exert some control over the notoriously-difficult Dead by insisting they use outside producers. Now he would do the same to the Allmans. 

Music was different now. Blues was considered old people music. Southern Rock was now passe as well and had never really recovered…